I, _ ('Purchaser') have paid for and own the following art: Lot (s) # _ (hereinafter 'Work(s) of Art').Ģ. If I select this method of shipping, I understand I must sign and deliver to the Santa Fe Art Auction the Release and Insurance Waiver below.Ĭompany Name / Authorized Agent _ġ. _ I would like my artwork to be released to a third-party shipping company (selected below). I understand that I may be liable for the sales tax at my shipping address. _ I would like for Santa Fe Art Auction to arrange shipping.Īrrangements for pick up must be made within 2 weeks post sale via email or telephone. I understand that I may be liable for New Mexico Sales tax. _ I would like to pick up my artworks from Santa Fe Art Auction.Īrrangements for pick up must be made within 2 weeks post sale via email or telephone. PURCHASES SHALL NOT BE RELEASED UNTIL PAYMENT IS RECEIVED IN FULL. SANTA FE ART AUCTION IS PLEASED TO PRESENT THE FOLLOWING SHIPPING OPTIONS. Buyer should allow four to six weeks for shipping from the date of the auction. (b) Buyer shall pay all related expenses in advance. (a) All such packing, handling and shipping is at the sole risk of the Buyer and the Santa Fe Art Auction shall have no liability for any loss or damage to such items, and In such event, Buyer agrees to the following conditions: Santa Fe Art Auction may in certain circumstances, and at its discretion upon the request of the buyer, pack and ship artworks in-house. Buyers are required to provide written authorization by submitting a signed shipping release and waiver of liability form, included with our invoice, in order to release property to the third party shipper of Buyer's choice.

The Santa Fe Art Auction does not provide in-house shipping services for online-only auctions but we are happy to provide a selection of local third-party shippers. Each lot is sold as-is.Īmerican Express, MasterCard, Personal Check, Visa, Wire Transfer Shipping Buyers are reminded that the limited warranties are set forth in the Terms and Conditions of Sale and do not extend to condition. The absence of a condition report does not imply anything as to the condition of a particular lot. Each condition report is an opinion of the staff member and should not be treated as a statement of fact. The condition reports are prepared by SFAA staff members who are not art conservators or restorers, nor do they possess the qualifications needed for comprehensive evaluation. The reports are not intended to nor do they substitute for physical examination by a buyer or the buyer's advisors. The condition reports for the lots offered by Santa Fe Art Auction (SFAA) are provided as a courtesy and convenience for potential buyers. The shards are in overall good to fair condition, with normal wear consistent with age. Their numbers support the idea that the connection between the Phoenix basin and the northern uplands was a prominent component of the Hohokam regional economy despite the great difference between them in settlement size and density.Santa Cruz Valley, Arizona on Private Lands Among the phyllite-tempered ceramics consumed in the Phoenix basin, some are shown to have been made locally, but, surprisingly, large numbers were imported from the northern uplands. As shown with assays with an electron microprobe, however, both the temper and clay fractions are chemically diverse and geographically distinct, allowing many of the phyllite-tempered wares to be sourced. The phyllite-tempered pottery from different production sources cannot be distinguished on the basis of their temper type. One exception is phyllite-tempered pottery, which was made in one corner of the basin but also across a broad upland zone adjacent to the north. Based on diverse temper and clay compositions, the provenance of individual ceramics is routinely determined with considerable precision. The organization of ceramic production and distribution among the ancient Hohokam of the Phoenix basin, Arizona, has been documented in recent years with much detail.

Hohokam pottery